L’art du demi-portrait

Jonathan Franzen, Freedom, 2010, couverture

«Eliza was exactly half pretty. Her head started out gorgeous on top and got steadily worse-looking the lower down you looked. She had wonderfully thick and curly brown hair and amazing huge eyes, and then a cute enough little button nose, but then around her mouth her face got smooshed up and miniature in a disturbing sort of preemie way, and she had very little chin

Jonathan Franzen, Freedom. A Novel, Toronto, HarperCollins, 2010, 562 p., p. 50.

CC BY-NC 4.0 Cette œuvre est sous Licence Creative Commons Internationale Attribution-Pas d'Utilisation Commerciale 4.0.

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